Best tips for actors in 2024 by GlobalTalentNetwork

GlobalTalentNetwork.com All-in-One Applicant Tracking Software for artists: Quickly Review Your Candidates! The “Quick Review” feature is a streamlined process to efficiently move from one candidate to the next. You can review all of your candidates’ information, rate your candidates with 1 to 5 stars, deselect or proceed the candidate to the next step, and flag your top candidates as GoldenEagles™ to create a shortlist. “Time to Hire” reporting accurately reflects your organization’s hiring speed, from when the job was posted to the candidate’s first day. View the number of days by job, business unit, or recruiter. Now you can know exactly how long it takes your organization to recruit! Read more info production companies tools.

GlobalTalentNetwork advices for talent companies : Know your audience. Become familiar with the need for models in your area. If you live in New York City, runway shows and fashion modeling are obvious choices. However, if your agencies is in a smaller city in the Midwest, ad agencies and trade shows may be more viable options. Remember smaller markets, such as fashion retailers that might need models for freeze modeling or small fashion shows. Local media can help inexpensively get the word out about your agency. Send press releases to local newspapers and television stations about your grand opening, jobs your models are involved in and other newsworthy information. Fax the press release to save money and follow-up with a telephone call to the appropriate editor, such as the lifestyles editor.

Do Theatre – Most Canada actors are theatre actors. Canada is a theatre and improv country. The expectation from the players in this market is that you have a strong background in one of these forms. Agents “shop” at the theatre; it’s, for most, where they find new talent. Doing a role over a sustained amount of time is not only satisfying for the actor, but is what allows you to grow and develop as an artist. Theatre is where you develop your “chops” and your street cred. As Mary Ann Ziesch of Actors Talent Group says “I need to see solid theatre experience on a resume to consider new talent.” See more info globaltalentnetwork.com.

Narrow down your list. The size and status of the office you should realistically approach is determined by how far along you are in your career. When starting out, you’ll find that the small- and medium-sized offices are often more receptive to meeting new talent—but if you do have an “in” at a major agency, go for it. If your timing, talent, and type are right, you could get lucky. (Check out our lists of agencies for early- and mid-career actors in New York City and Los Angeles for ideas.) Start with a list of about 15-20 first-choice agencies; you can also put together a similar list of second-choice options. Prepare and submit your materials. Now that you’ve identified the reputable agencies you plan to pursue, you’ll need to submit four things.

Additionally, consider buying tickets to theater shows in your town. It can plug you into your local acting community while exposing you to new playwrights, actors, and directors. For auditions, you need to arrive a few minutes early, and with a reel, headshot, and résumé in hand. Reel: Your demo reel will frequently be what gets you in the door. A résumé is great, but if the casting director isn’t familiar with you, for all they know, your credits could be made up. Headshot and résumé: Always, always bring them to an audition. What’s more, make sure your headshot and résumé are stapled together. Don’t squander your chances for a callback because the casting director wasn’t able to determine your experience level after your résumé got separated from your headshot. (And if you don’t know what your headshot should look like, dig into our guide to acting headshots for tips!)

Talent managers handle public relations and media exposure, such as appearances on TV shows, interviews with journalists, and social media presence. A talent manager can advise career and contracts but cannot negotiate job contracts on your behalf. Talent managers can advise on income, investments, and manage the monetary flow of a client’s business. Talent managers usually have only one client and payment is either via salary or commission.

Let it shine through. Don’t give one-word answers when having a conversation with the casting director. Ask questions! The industry is looking for smart, curious actors. Connect with your reader: Make one with the reader. Memorize the material or be familiar enough with it to maintain eye contact. Knowing the dialogue is important, but making a connection with the reader is what will make the scene natural and believable. Find the love in the scene; even nasty characters should be likable on some level. Find a moment in the scene where the love can show through. Embrace action: Acting means do, not talk. Find your actions and play them! (A wonderful resource is the book “Actions: The Actor’s Thesaurus” by Marina Caldarone and Maggie Lloyd-Williams.)

Invest in a tripod. The shakes are unpleasant, says Backstage Expert Jessica R. Grosman. She also suggests talking to your reader beforehand to make sure they’re not too loud during the taping. It can be shot on your iPhone or your laptop, but be sure you’ve ticked all these boxes. (Pro tip: Place your reader right next to the camera. This will give you a direct eyeline without having to stare straight down the barrel.) Be sure to follow all directions from casting, including content requests (monologue, dance, or song) file naming, introduction, and media format. To handle a bad reader in auditions, the actor must be self-sufficient. You can also try to incorporate it into your performance. Either way, the show must go on.

The purpose of the meeting is to give the agent a chance to determine if you can make it as an actor, so be ready to perform for the agent. That means to have a monologue prepared to recite at a moment’s notice and be prepared to do a cold reading from a script that the agent hands you. You should never be afraid to ask questions during your interview. Here are five questions you should ask during your meeting. Who will represent me from your agency? How many clients do you currently represent What kind of actor do you see me? How many other actors do you serve actors that are similar to me? How would you direct my career? What kind of work have you gotten in the last six months for your actors?